Brionna J: Research and Final Project thus far.

My final project in this class, as it exists now, is incredibly different from my originally planned trajectory. When we began, I had wedding fever. I still have wedding fever. And I wanted to burn from the inside out, in a blaze of cheap lace and fondant. Ok, that was dramatic and uninspired. Back to the point.


After talking with Amanda and classmates about my plans to have a “wedding-a-thon”, during which time I would plan several key elements of an ideal wedding day, all culminating in me “waiting for my groom” by the Charles river, I understood that such a plan is limited, and one dimension of a more complicated task I want to unpack: plans, aspiration, and a “fear of missing out”.


The next idea: creating a gallery of sorts, and displaying my own art, changing the pieces as individuals that fit different “demographics” come and go. In the final project, I will incorporate this gallery-esque quality in the presentation of the final project in class.


Last: interactions, or “touching the matrix” as I like to call it: not jus t ‘calling out’ our flaws, but direct action against them/ interacting with them, and forcing others to do the same. The majority of my project presentation will focus on how I planned interactions and interventions, and what happens afterward. They vary in range of “abstract” to “actual direct action”, from funny signs and posters and handbills that break up the monotony of our M-F 9-5 lives, to instances that send tremors to the core of the academic institution. You’ll see.


After much reconfiguring, I will still incorporate the wedding aspect, as a “mini-exhibit”, a study in art as process (planning as the art), through photographs. The development of my project has survived many phases of configuring and reconfiguring, only to settle uneasily on me, forcing myself to interact with a system, a network of strangers, in the name of interaction. Does that make sense?


To research my interactions and interventions, I have interviewed campus leaders, dancers, performers, and individuals who work for “grassroots organizations” and lobby in Davis Square for donations and education. These surveys and accounts of their lived experiences has been a credit to my understanding  these players in their individual spheres, and “doing them justice” through my planned interactions.


I’m excited to see what comes of it all!



    1. Adam Cohen “Living With Epilepsy” Research Fund for Young Adults
    2. Africana Studies Now
    3. Ask Me
    4. Save-a-Hipster Initiative
    5. Caution




    1. Guns for Toys for Kids for Guns
    2. Men-only and Women-only water fountains
    3. Men only and Women only restrooms (Tisch reading room restrooms are unisex)


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